Concept
「氣的外在生命活動表現稱為神,有氣者為得神,無氣者無神。」
所有物種都需要氣的流動和運行,在這個病毒竄流、瘟疫盛行的時期,人類死亡、生物滅絕、氣的減少。人類逐漸變成沒有自我意識的殭屍,不過雖身為殭屍,仍保留對於氣的追求。而殭屍王則拋棄對於氣的需求,成為自我供給的病毒究極體,雖無氣卻讓自身到達另類的極限,就算世界崩毀,環境無神,崩壞的自由意志仍會領導出新的神。
"The external life activities of chi are called God. Those who have chi become God, and those who have no chi can not."
All species need the flow and movement of chi. In this period of viruses and plagues, human beings die, organisms become extinct, and chi decreases. Human beings gradually become zombies without self-awareness, but even though they are zombies, they still retain the pursuit of chi. The Zombie King abandons the need for chi and becomes the ultimate self-supplying virus. Although it is not chi, it allows itself to reach an alternative limit. Even if the world collapses and the environment is godless, the broken freedom will still give birth to a new God .
Character Design
Motion Design
Scene Design
Scene 01|現實 Reality
洞窟裡的實驗室中,藏有著美秀集團過去的自製樂器和電火王專輯,而在某個被遺忘的角落放著一台可以窺探到另一個世界的圓形裝置。隨著音樂的躁動慢慢進入圓形裝置內的世界,一個與現實平行卻充滿病毒的世界。
In the laboratory inside a cave, there are Amazing Show’s past self-made musical instruments and 電火王 album cover, and in the corner there is a machine that can peek into another world. As the camera slowly entered the world inside the machine, a world full of viruses slowly unravel.
Scene 02|迫害 Persecution
進入這個充滿病毒的世界後馬上看見主角正在被一群身著黑衣的警察追趕著,畫面參照老電影開頭在前情提要的鏡頭手法。主角被追趕到了高塔的橋樑的底部,無路可退,隨即被警察給踢了下去。
After entering this virus-filled world, we can immediately see that the protagonist was being chased by a group of black-clad policemen. These scenes were based on the scenes of vintage movies. The protagonist was chased to the end of the bridge, with nowhere to go, and then got kicked by the police.
Scene 03|屍化 Death
主角剛好墜落進了墳墓,在墳墓中含冤去世,成為了殭屍,帶著吐不出的怨氣和病毒去號召殭屍要去追求氣。
The protagonist just fell into the grave, died unjustly in the grave, and became a zombie, with unspoken grievances and viruses, calling on the zombies to pursue chi.
Scene 04|民間 Folk
民間的鄉親們四處逃竄,上方有一個象徵著壓迫的血滴子正在吸取著所有還存在的氣,人類們的氣漸漸的被奪走,了無生機。
Folks fled everywhere, and above it was a blood drop symbolizing oppression that was absorbing all the remaining chi, and the human chi was gradually taken away, becoming lifeless.
Scene 05|政府 Government
政府身為這個世界的金字塔頂端,露出猙獰且噁心的姿態在散播病毒,同時在施壓並奪走醫護人員的氣,並將被奪走氣的人們淪為他們的手腳,來為他們所用。
As the top of the pyramid in this world, the government is spreading the virus in a hideous and disgusting way, and at the same time it is putting pressure on and taking away the chi from the medical staff, and stripping the people of their chi to be used by the for their own good.
Scene 06|進化 Evolution
主角在獲得殭屍們的追隨並且看見這世界的醜態後,決定要進化,藉由病原體並淘汰舊因子,不斷繁衍進化成為”殭屍王”。
After the protagonist gains a good number of zombie army and sees the ugliness of the world, he decides to evolve. By using pathogens , he continues to multiply and evolve into a "Zombie King".
Scene 07|反攻 Counterattack
殭屍王帶領著成千上萬的殭屍,有進化混種的殭屍,也有純粹的小殭屍。正在攻擊政府並且踏平了整個世界。
The Zombie King leads thousands of zombies, from evolutionary hybrid zombies to mini-sized little zombies. He begins attacking the government and leveling the whole world.
Scene 08|吸取病毒 Inhaling The Virus
整個世界被踏平,所到之地已為荒蕪,殭屍王藉由朗誦吸取了所有殭屍的病毒,整個世界的病毒都集中到了殭屍王的身上。
The whole world was flattened, and the place he went was barren. The Zombie King absorbed all the viruses of the zombies, and the viruses of the whole world is collected in the sole body of Zombie King.
Scene 09|神 God
神明在世界被毀滅過後,想透過吟唱施展神力來拯救這個被病毒摧毀的世界,而殭屍王對於這種棄人世間不管的態度的神明抱持著仇恨,最終神力不敵病毒蔓延擴散,“夜路走多遇到神”。
After the world is destroyed, the God wants to save the world destroyed by the virus by singing and using his magical power. But the Zombie Bing has hatred for the gods who have abandoned the world. Yet in the end, the God is still invincible and the virus keeps spreading.
Scene 10|自由 Freedom
殭屍王的病毒已天下無敵,突破維度的框架,跳脫整個空間,帶領著殭屍們成為地表上最自由的存在。 而在這個世界的一角,貓咪發現了在墳墓前的裝置….
The virus of the Zombie King is invincible, breaking through the frame of dimensionality, jumping out of the entire space-time continuum, and leading the zombies to become the freest existence in the whole world. And in a corner of this world, the cat found a device in front of the tomb...
Credit
Production house
AGE Creative
Director
Parker Shen
Producer
Producer
Xue0
Scene Designer
Scene Designer
Watermother / Yen Ke / Parker Shen / Felix Onorato / Xite
Character Designer
Dorairolg / Jimi Yen
3D Animation
Yen Ke / Watermother / Parker Shen / Felix Onorato / Xite
Post Production
Parker Shen
Compositing
Parker Shen
Graphic Designer
Xue0
Thank You