ØZI -【FREE FALL】
Based on the interactive feature of 360-degree surround video, the protagonist sacrifices the godhead, desperately falling to the world and hell for love, and thinks that sacrifice of love is the thinking point, extending the opposite image.
Using the characteristics of 360- degree surrounding images to express mutual understanding points of view, giving viewers an opportunity to interact, if viewers are willing to interact with images, they will be able to see more images and meanings. Knowing the relationship and experience of love, the viewer chooses different modes, and different behaviors equivalent to love, understands each other, or falls into love wildly.
以360度環繞式影像的互動特性為技術基礎,講述主角犧牲神格,不顧一切,為愛墜落至人間、地獄,而以為愛犧牲為思考點,延伸出相反的意象。利用360環繞影像的特性去表達相互理解的觀點,給予觀者一個互動的機會,倘若觀者願意與影像進行互動,將能看見更多的畫面和意涵。就如同愛情的相處和經歷,觀者選擇不同的模式,及等同於愛情中不同的行為,相互理解磨合,抑或者是狂放的墜入愛情。
Charactor Design
FALLEN ANGEL OZI
The leather jackets with rock elements and military uniforms symbolizing majesty are used as the modeling foundation, and gold ornaments are used to combine various religious images to enhance the richness and mythology of the overall modeling. The mask is mainly designed based on the Gabala bowl, a ritual tool of Tibetan Buddhism. It is a symbol of giving up attachment and gaining liberation, just like the protagonist has fallen from heaven to hell. Skeletons are usually an inauspicious symbol in traditional society, but in Esoteric Buddhism they are regarded as noble and sacred. Just like the core concept of MV, different perspectives will cause different interpretations and results.
以搖滾元素的皮外套和象徵威嚴的軍裝做為造型基礎,並利用金飾結合各種宗教的形象,強化整體造型的豐富度和神話感。面具主要以藏傳佛教的法器嘎巴拉碗為設計原型,是種放棄執著,得到解脫的象徵,就像是主角從天堂為愛墜入地獄的樣貌。骷髏在傳統社會通常是不吉利的象徵,而在密教則被視為高尚神聖的地位,就如同MV的核心概念,不同的視角會造成不同的解讀和結果。除了核心的造型和概念,也在飾品的細節做了許多彩蛋,主角的皮衣背後和手部的金雕正是ozi本人手上的刺青,一半是骷髏另一半則是法老王奧西曼德斯。也因ozi的名稱由來是法老王,利用了許多埃及的元素,例如在臉妝的荷魯斯之眼和法老王的項鍊。
CASABLANCA FEMALE
The main styling design extends the shape of the Casablanca flower. The flower language is unswerving love and unforgettable love, which echoes the protagonist's pursuit of love and falling from heaven to hell. And with a lot of chains to emphasize the bondage of secular values to love, she does not have the godhead like the protagonist, but the restricted people in the secular, she does not want to be changed and liberated. Therefore, it also combines the joint structure possessed by similar dolls, strengthening her appearance as a god, but it is only the appearance.
主造型設計延伸卡薩布蘭花的造型,其花語為至死不渝的愛和永不磨滅的愛情,以此呼應主角追求愛情從天堂墜入地獄的劇情。並以大量的鎖鏈強調世俗價值觀對於愛情的束縛,她不向主角一樣具有神格,而是世俗中被限制的人們,她不想被改變,被解放。因此也結合了類似人偶所擁有的關節結構,強化她雖有神的樣貌卻也僅是表象。
Scene Design & StyleFrame
PARADISE
Heaven is composed of a ring structure surrounded by gods and a semi-transparent close to nothingness, symbolizing the ideal love of universal value, and is monitored and controlled by a group of gods. The shape of the god is tall and slender, and there is another head on the forehead, which expresses the nobility and long-term vision of the god.
And there is an angel's egg in the center of the square, matched with the image of a fetus in the lyrics. The protagonist is reborn as a human image in this scene. He is eager to pursue the love he wants but is controlled by heaven.
天堂以眾神的環繞和半透明接近虛無的環狀結構組成,象徵著普世價值的理想愛情,由一群神明監視並控制著。神明造型高挑細長,額頭的部分還有另一顆頭,表示神的高尚和遠望。而廣場中央有一顆天使之卵,搭配歌詞中類似於胎的意象,主角在這個場景中重生為人的形象,他渴望追求自己想要的愛情卻也被上天控制著。
EYE OF HEAVEN
Heaven is composed of a ring structure surrounded by gods and a translucent close to nothingness, symbolizing the ideal love for universal values, and is monitored and controlled by a crowd of gods. The shape of the god is tall and slender, and there is another head on the forehead, which expresses the nobility and long-term vision of the god.
There is an angel's egg in the center of the square, which matches the image of the fetus in the lyrics. The protagonist is reborn as a human in this scene. He desires to pursue the love he wants, but is controlled by heaven.
在天堂墜落到人間的上空中,有一顆巨大的瞳孔關注著這一切,象徵著神明和普世價值依然觀察著主角追求愛情的過程,看似烏托邦美好的空間,卻也無法真正獲得自由。場景中許多的哥德塔也象徵著底層的人們想要靠近神明,追求著神明和愛情,無論向上或者向下都呈現貪婪的樣貌。
GAIA
The human world is in an undeveloped area close to the Middle Ages, surrounded by many mountains. Although there is no city, there are many tall towers and statues, giving up the possibility of life, only showing the appearance of greed. The sun in this area no longer rises from the east to the west, and the protagonist falls into the world to cause dissatisfaction with the gods. Time is infinitely accelerated, and the axis of the earth is changed, turning into an endless rotation in the sky.
The entrance to the region is composed of a sperm-like appearance and the shape of female reproductive organs, symbolizing the most primitive desire. Every step the protagonist approaches the region, the anger of the gods transforms into the collapse of time and accelerates infinitely.
Easter Eggs : Hybrid Theory & Chester Bennington
人間處在一個接近中世紀未開發的區域,有許多山脈環繞。雖無城市的存在,卻有許多高塔和雕像,放棄生活的可能性,僅呈現出貪婪的模樣。在這個區域的太陽已經不再是東昇西落,主角墜落人間引起天神的不滿,時間被無限加速,地球的軸心被改變,變成一直在天空中無限旋轉。地域的入口由類似精子的樣貌和女性生殖器官的造型構成,象徵著最原始的慾望,主角每接近地域一步,天神的憤怒化成時間的崩壞,無限加速。
小彩蛋 : 混沌理論 & 聯合公園主唱
HELL
The region is mainly divided into three stages. The part closest to the human world also has a few human architectural structures. There are many greedy people in the building falling into lust.
The middle section is a twisted Tibetan Buddhist instrument, the Gabala bowl, The composition of famous paintings of the 15th and 16th centuries. His famous painting is The Fall of the damned, which is about being thrown into hell by the archangel and angels, and the other painting is The Damned Being Cast into Hell, which is similar to the concept of falling to hell in the plot.
With the passage as the core, many demonized gods and demonized circular buildings have been added, which symbolizes that heaven and hell may only be different in value, and there is no right or wrong, only choice, in order to echo the core concept.
地域主要分為三大階段,最靠近人間的部分還有些許人間的建築構造,建築內有許多貪婪的人們,墜落於情慾之中,中間段以扭曲的藏傳佛教的法器嘎巴拉碗、15、16世紀的名畫構成。其名畫為The Fall of the damned,其內容為被天使長和眾天使們扔進地獄,而另一幅畫為The Damned Being Cast into Hell,內容也近似於劇情中墜落地獄的概念。以通道為核心增加許多近似於魔化的神明和魔化的環形建築,象徵著天堂與地獄或許僅是價值觀的不同,並沒有對與錯,僅有選擇,以此呼應核心概念。
Promotion
Still Perspective Version
A Forbidden Paradise x AGE Creative
collaboration
Directed by
Parker Shen
Produced by
Xue 0
Animation Direction
Yen Ke
Character Animation
Yen Ke、Watermother、LOiSUP
Character Concept Artist
Xite
ØZI Character Designer
LOiSUP、Watermother
Female Character Designer
River Lin
Scene Designer
Yen Ke、Parker Shen、Roll+、Watermother、River Lin
Scene Animation
Parker Shen、Roll+、Yen Ke
Compisting / Editing
Parker Shen
Graphics Designer
Xue 0