Sunset Rollercoaster - Overlove

Concept

The background setting takes a "machine" with emotional thinking ability as the protagonist. The "machine" lost in space, after seeing and understanding various forms of human love, finds his own love story."OVERLOVE" has a feeling of transcending or transcending the framework of love, transcending, transcending and even overflowing excess love, until the real breakthrough love, which extends this generation's discussion of the openness and acceptance of sexuality and self-identity. 
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And through the core concept to extend the thinking of visual presentation, and the vision must also be related to the tonality of the music. The feeling of the song gives us a kind of futuristic picture in the 1980s and a feeling of fantasy fairy tales. Therefore, we Set the visual tune in the fantasy and realistic story of finding love in space, using the "machine" to explore and find love, as a new form of sexual orientation and self-identification.


背景設定以一個富有情感思考能力的「機器」為主角,迷失在太空的「機器」,在看過和了解各種屬於人類的愛情的形式以後,找尋到屬於自己的愛情故事。

《OVERLOVE》有一種超越或者是跨越愛情框架的感受,跨越、超越甚至溢出多餘的愛,直至最終真正突破的愛,以此延伸出這個世代對於性向和自我認同的開放性和接受度的探討。並透過核心概念延伸思考視覺上的呈現,而視覺也必須和音樂的調性有所關聯,歌曲的份圍感受使我們有種80年代未來主義的畫面,並富有奇幻童話故事的感受,因此我們將視覺定調在奇幻並寫實的太空尋愛故事,以「機器」的探索尋愛,作為一種新的性向和自我認同的形式。
Moodboard Ver.1
Character Design (version1)
Character Design (version2)
The Art of Love
Heterosexual  異性戀
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Lesbian 女同性戀
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Bisexual 雙性戀
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【Asexual 無性戀
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【Polyamory 多邊戀】
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Demisexual 半性戀】
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【Transgender 跨性戀
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Gay 男同性戀】
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Human x Plant Love 人與植物戀
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Human x Animal Love 人與動物戀】
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Human x Object Love 人與物品戀】
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Human x Robot Love 人與機器人戀】
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Human x AI Love 人與人工智慧戀】
styleframe 
Scene 1|Space

The story opens with a big picture of the universe. This is a fantasy love-seeking story that takes place in the universe. It slowly moves towards the camera with a "space museum" device that looks like a pair of hands.

故事開場於宇宙的大景破題,這是一個在宇宙中發生的奇幻尋愛故事,以型似雙手相扣的「太空博物館」裝置慢慢趨向鏡頭。
Scene 2| heterosexuality

After the camera entered the Space Museum, the first scene I saw was a metal art installation translated from a number of classic love paintings and sculptures, and slowly brought into the atmosphere of the song with lights.

鏡頭進入太空博物館後,第一個看見的場景是由多個經典愛情名畫和雕塑轉譯過的金屬藝術裝置,並用燈光慢慢帶入歌曲的氛圍。
Scene 3|Lesbian/GAY/Bisexual

At the stage where human voices come in, the picture enters a darkened collection room with mechanical art installations of "homosexuality" and "transsexuality." It is also the sexual orientation and self-identification that most people have gradually understood in recent years. Lesbians use flowers as flowers. The embracing woman is used as an element design; while gay men use guitar elements and arrange them upside down to implicitly express the enthusiasm of gay men. And transsexuality is a device for two characters to switch between each other, which symbolizes that bisexuals have two possibilities for sexual orientation.


在人聲進來的橋段,畫面進入了一個偏暗的館藏室,有著男女「同性戀」和「跨性戀」的機械藝術裝置,也是近年多數人都漸漸理解的性向和自我認同,女同性戀以花朵和相擁的女人作為元素設計;而男同性戀則取用了吉他的元素,並上下顛倒的安排,隱晦的表達男同性戀的熱情。而跨性戀則為兩個人物做相互切換的裝置,象徵雙性戀者對於性向有兩種交錯的可能性。
Scene 4|Multilateral love / Semisexual / Transsexual / Asexual

The atmosphere of the song came to a more floating spatial sense of tone, so the protagonist stepped on a floating device and moved lightly in a space full of glass covers and curved shapes. In this space, the possibility of sexual orientation and self-identification that are rarely seen in modern society appears, and the shape is more abnormal and special. There are many heads of "poly love", "asexual love" that wraps itself in the self, "Transgender love" with misplaced body structure and self-identity, and "half love" with half-winged self-seeking.

歌曲氛圍來到較漂浮空間感的音色,因此讓主角踏上一個漂浮裝置,輕飄飄的在一個充滿玻璃罩和曲線造型的空間游移。這個空間內出現了現代社會較少見的性向和自我認同的可能性,造型更為反常特殊,當中有許多顆頭的「多邊戀」、將自己包覆在自我體內的「無性戀」、身體結構和自我認同錯置的「跨性別戀」,和不斷追尋自我並有著半邊翅膀的「半邊戀」。

Scene 5|Human-AI / zoosexuality / Human-Plant / Sexual fetishism / Human-Robot

In a purely melody phrase, the camera no longer focuses on the character, and begins to lead the viewer to watch the love between humans and non-humans, such as mechanical devices such as humans and machines, humans and creatures, and humans and plants. After the phrase is over, the camera returns to the character, slowly alleviating the gravitational suspension into space.

在一段純旋律的樂句上,鏡頭不再專注於角色身上,開始引領著觀者觀賞人與非人的愛情,例如人與機器、人與生物、人與植物等的機械裝置。樂句段落結束以後,鏡頭重回角色上,緩緩解除重力懸升至太空。

Scene 6|OVERLOVE

There are a lot of metallic space junk in outer space, and the protagonist loves the strange-shaped radio in it, embracing each other in space. And under the blessing and watching of various mechanical devices, it has become one of the collections recognized by the Space Museum.

於外太空中有著許多金屬的太空垃圾,而主角鍾情於其中有造型奇特的收音機,在太空中相擁。並在各種機械裝置的祝福與注視下,成為被太空博物館認可的館藏之一。
Behind the scenes

Credit

AGE creative  x  Sunset Music

Director : Parker Shen 
Producer : Xue0 
Lead 3D Artist : Yuson & Chia Jui Wu 

Character Concept Artist : Xite 
Character Designer : River Lin 
Radio Modeling : LOSiUP 

Compositing : Parker Shen 
Graphic Designer : Xue0 

THANK YOU!

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